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浅谈吉他教学的论文范文

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sanggoufan

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按研究问题的大小不同可以把论文范文分、为宏观论文范文和微观论文范文。凡属国家全局性、带有普遍性并对局部工作有一定指导意义的论文范文,称为宏观论文范文。它研究的面比较宽广,具有较大范围的影响。反之,研究局部性、具体问题的论文范文,是微观论文范文。它对具体工作有指导意义,影响的面窄一些。另外还有一种综合型的分类方法,即把论文范文分为专题型、论辩型、综述型和综合型四大类:1.专题型论文范文。这是分析前人研究成果的基础上,以直接论述的形式发表见解,从正面提出某学科中某一学术问题的一种论文范文。专题应用型论文范文是一种运用所学的理论基础和专业技能知识,独立地探讨或解决本学科某一问题的论文范文,其基本标准应该是:通过论文范文,可以大致反映作者能否运用所学得的基础知识来分析和解决本学科内某一基本问题的学术水平和能力。当然,它的选题一般也不宜过大,内容不太复杂,要求有一定的创见性,能够较好地分析和解决学科领域中不太复杂的问题。2.论辩型论文范文。这是针对他人在某学科中某一学术问题的见解,凭借充分的论据,着重揭露其不足或错误之处,通过论辩形式来发表见解的一种论文范文。3.综述型论文范文。这是在归纳、总结前人或今人对某学科中某一学术问题已有研究成果的基础上,加以介绍或评论,从而发表自己见解的一种论文范文。4.综合型论文范文。这是一种将综述型和论辩型两种形式有机结合起来写成的一种论文范文。

浅谈吉他教学的论文范文

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justall4u

你再提炼一下吧The guitar is a musical instrument of the chordophone family, being a stringed instrument played by plucking, either with fingers or a The guitar consists of a body with a rigid neck to which the strings, generally six in number but sometimes more, are Guitars are traditionally constructed of various woods and strung with animal gut or, more recently, with either nylon or steel Some modern guitars are made of polycarbonate Guitars are made and repaired by There are two primary families of guitars: acoustic and Acoustic guitars (and similar instruments) with hollow bodies, have been in use for over a thousand There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop The tone of an acoustic guitar is produced by the vibration of the strings, which is amplified by the body of the guitar, which acts as a resonating The classical guitar is often played as a solo instrument using a comprehensive fingerpicking Electric guitars, introduced in the 1930s, rely on an amplifier that can electronically manipulate Early amplified guitars employed a hollow body, but a solid body was found more Electric guitars have had a continuing profound influence on popular Guitars are recognized as a primary instrument in genres such as blues, bluegrass, country, flamenco, jazz, jota, mariachi, reggae, rock, soul, and many forms of Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having "a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides"[1] The term is used to refer to a number of related instruments that were developed and used across Europe beginning in the 12th century and, later, in the A[2] These instruments are descended from ones that existed in ancient central Asia and I For this reason guitars are distantly related to modern instruments from these regions, including the tanbur, the setar, and the The oldest known iconographic representation of an instrument displaying the essential features of a guitar is a 3,300 year old stone carving of a Hittite [3]The modern word "guitar" and its predecessors applied to a wide variety of cordophones since ancient times and as such is a cause of The English word "guitar", the German "gitarre", and the French "guitare", were adopted from the Spanish word guitarra,[4] which comes from the Andalusian Arabic qitara (قيثارة),[5] itself derived from the Latin of the Roman empire, cithara, which in turn came from the earlier Greek word kithara (κιθάρα),[6] a descendant of Old Persian sihtar ( سی تار) (Tar means string in Persian)[7]The guitar is descended from the Roman cithara brought by the Romans to Hispania around 40 AD, and further adapted and developed with the arrival of the four-string oud, brought by the Moors after their conquest of Iberia in the 8th [8] Elsewhere in Europe, the indigenous six-string Scandinavian lut (lute), had gained in popularity in areas of Viking incursions across the Often depicted in carvings 800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of S[9] By 1200 AD, the four-string "guitar" had evolved into two types: the guitarra moresca (Moorish guitar), which had a rounded back, wide fingerboard, and several soundholes—and the guitarra latina (Latin guitar), which resembled the modern guitar with one soundhole and a narrower [10] In the 14th and 15th centuries the qualifiers "moresca" and "latina" were dropped and these four course instruments were simply called [11]The Spanish vihuela or (in Italian) "viola da mano", a guitar-like instrument of the 15th and 16th centuries, is often considered a major influence in the development of the modern It had six courses (usually), lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a sharply-cut It was also larger than the contemporary four course By the late 15th century some vihuelas began to be played with a bow, leading to the development of the By the sixteenth century the vihuela's construction had more in common with the modern guitar, with its curved one-piece ribs, than with the viols, and more like a larger version of the contemporary four-course The vihuela enjoyed only a short period of popularity in Spain and Italy during an era dominated elsewhere in Europe by the lute; the last surviving published music for the instrument appeared in Meanwhile the five-course baroque guitar, which was documented in Spain from the middle of the 16th century, enjoyed popularity, especially in Spain, Italy and France from the late 16th century to the mid 18th [12][13] Confusingly, in Portugal, the word vihuela referred to the guitar, whereas guitarra meant the "Portuguese guitar", a variety of
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