Peking opera of China is a national treasure with a history of 200 In the 55th year of the reign of Emperor Qianlong of the Qing Dynasty(1790) ，the four big Huiban opera Troupes entered the capital and combined with Kunqu opera， Yiyang opera， Hanju opera and Luantan in Beijing's thearetical circle of the Through a period of more than half a century of combination and integration of various kinds of opera there evolved the present Peking opera， the biggest kind of opera in China， whose richness of repertoire， great number of artists of performance and of audiences， and profound influence are incomparable in CPeking opera is a synthesis of stylized action， singing， dialogue and mime， acrobatic fighting and dancing to represent a story or depict different characters and their feelings of gladness， anger， sorrow， happiness， surprise， fear and In Peking opera there are four main types of roles: sheng (male) dan (young female)， jing( painted face，male)， and chou (clown， male or female) The characters may be loyal or treacherous， beautiful or ugly， good or bad， their images being vividly The repertoire of Peking opera is mainly engaged in fairy tales of preceding dynasties， important historical events， emperors， ministers and generals， geniuses and great beauties， from the ancient times to Yao， Shun， Yu， the Spring and Autumn Period， the Warring States Period and the dynasties of Qin， Han， Sui， Tang， Song， Yuan， Ming， QThe music of Peking opera is that of the "plate and cavity style"Its melody with harmonious rhythms is graceful and pleasing to the The melody may be classified into two groups: "Xipi" and "erhong"， guiding pattern， original pattern， slow pattern， quick pattern， desultary pattern being their chief The performance is accompanied by a tune played on wind instruments， percussion instruments and stringed instruments， the chief musical instruments being jinghu (a two-stringed bowed instrument with a high register)， yueqin( a four-stringed plucked instrument with a full-moon-shaped sound box)， Sanxian( a three-stringed plucked instrument)， suona horn， flute drum， big-gong， cymbals， small-gong， The costumes in Peking opera are graceful， magnificent， elegant and brilliant， most of which are made in handicraft As the traditional Chinese pattern are adopted， the costumes are of a high aesthetic The types of facial make-ups in Peking opera are rich and various， depicting different characters and remarkable images， therefore they are highly Moreover there are numerous fixed editions of facial make-Since Mei Lanfang， the grand master of Peking opera， visited Japan in 1919， Peking opera has become more and more popular with people all over the world， and it has made an excellent contribution to cultural exchange between China and the West， to friendly association and to improvement of Peking Opera house of Beijing has been invited to perform in USA， England， France， Germany， Italy (three times)， Australia， Japan( four times)， Brazil， Turkey， Singapore， South korea and Hongkong (five times) The performances have made an outstanding contribution to Sino-foreign cultural exchange and to the promotion of friendly association of peoples in the world， and were highly appreciated by foreign In 1993 Peking Opera House of Beijing as a big Peking opera troupe made a performance visit to Taiwan， pushing the cultural exchange to a new Peking Opera house of Beijing is willing to participate in activities of international cultural exchange and of commercial performances and sincerely hopes that friends in various countries will make contacts with us about cultural exchange and
The Chinese opera is a traditional form of stage entertainment， weaving together elements of mime， dance， song， dialogue， swordplay， and acrobatics into one fluid continuous Gestures， movements and expressions incorporated within each performer's script come together to bring forth an impressive In contrast to Western stage entertainment， which is subdivided into different categories such as opera， drama and sketches， Chinese opera has remained faithful to its original format over the Although sharing a common ancestry， Chinese opera boasts over 300 various distinct forms - taking their names from their places of These forms are generally discernible by their use of local dialects and distinct 'melodies' Beijing opera is considered by most to be the most Also widespread are Pingju Opera， Kunqu Opera， Shaoxing Opera， Henan Opera， Sichuan Opera， Shanxi Opera， Huangmei Opera， Huagu Opera and Yangko O Some Chinese ethnic minority groups have some local form of 以下是网上翻译的第一段，供你参考吧。La ópera china es una forma tradicional de entretenimiento del teatro， tejiendo los elementos juntos de mimo， del baile， de la canción， del diálogo， de la esgrima， y de la acrobacia en un flujo continuo lí Los gestos， los movimientos y las expresiones incorporados dentro de cada escritura de artista se reúnen dar a luz un desempeño Por contraste al entretenimiento del teatro Occidental， que se subdivide en categorías diferentes tales como la ópera， el drama y los dibujos， la ópera china se ha quedado fiel a su formato original sobre los
