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首页 > 期刊问答网 > 期刊问答 > 敦煌壁画论文摘要怎么写

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xr听雨

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线描是我国书法与绘画艺术造型的主要手段,敦煌壁画也继承了这种造型手法,使形象具有高度的概括力。从新石器时代仰韶文化的彩陶纹饰中的编织纹、鸟兽纹、几何纹等,商周青铜器上的云气纹、夔龙凤纹等,再到西汉帛画上的线描,可以看出线条在其中的传承和发展。敦煌壁画就继承了线描的刻画方式,表现出其自身的特点。中国几千年来绘画艺术有着构图上的装饰性,这是一种优良的传统。早期的敦煌壁画,在人物布局形式结构上一脉相承地充分运用了对称、均衡、反复、重叠等手法,疏密有致、轻重适宜,在变化中寻求统一,在整体中又有冲突,从中展示出了壁画匠人高超的艺术技巧。中国绘画从一开始就注重颜色,无论是彩陶上的墨与红的对比、漆画上的红与绿交辉,还是帛画上五彩缤纷的颜色,都显示出工笔重彩的特点。敦煌壁画中形象的色彩,主要按照“随类赋彩”的标准,并且赋以重彩,使画面显得辉煌、明快、浓重、热烈,同时又在一幅画面上达到色彩的统一。以形写神,是中国古代绘画创作与评论的最高准则。这一点在敦煌壁画上同样体现出来,不论是何种题材,何种人物,都是为了表现主题的内心活动,所以敦煌壁画的线描和色彩的运用都是为了达到“以形写神”的最终目的。 由于敦煌壁画的创作历时较长,所以每个时代都有各自的造型风格特点。从初创时期到后来的元代,敦煌壁画经历了许多风格的变化和发展,其中魏晋南北朝和唐代的样貌比较丰富,具有代表性,下面便以敦煌莫高窟为例,分析这两个时代的风格特征。 魏晋南北朝是敦煌莫高窟艺术史上的早期阶段,出现了许多的风格面貌。敦煌莫高窟艺术的发展最早是伴随着印度佛教艺术的东渐传播而开始的,并随着佛教在中国的式微而结束,体现出了外来佛教艺术逐渐中国化的过程。所以,在魏晋南北朝的早期阶段,在表现技法上表现出了印度佛教美术与汉晋美术的相互叠加,同时也表现出了印汉两种文化的交融。我们看到在当时就已经很熟练运用的铁线描,平面装饰效果的壁画风格也在逐渐的成熟。值得引起人们关注的还有“秀骨清像”人物的出现,人体修长,清朗飘逸,艺术刻画追求的是内在气质,反映了老庄玄学思想的南朝士大夫的审美追求。 至唐代,佛教的传入进入了全盛时期,在敦煌莫高窟中从内容到形式上都体现出了新的风貌。内容多以民族化的佛经为主,人物形象接近于现实生活,注重画面的远近透视关系,有了较真的视觉效果和感受。在表现技法上,唐代壁画人物造型均趋于写实,比例适度、匀称,神态庄严沉静,菩萨造型女性化并且丰腴健美,这也是佛教艺术民族化的体现。北朝、隋时期的壁画主要用铁线描,而唐代逐渐运用自由奔放的兰叶描。这种线的运用上的变化更体现出了以虚实表现体积,从整体艺术风格上来说从前期的气势磅礴向后期的精细柔美转变。敦煌壁画艺术博大而精深,绚烂无比,是值得我们关注和研究的,其所具有的史料价值已经大大超越了宗教意义,多学科的形象资料价值、认识价值是无可比拟的,这也是它成为世界文化珍贵遗产的原因,被誉为“墙上博物馆”。

敦煌壁画论文摘要怎么写

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Dunhuang fresco is the composing part of Dunhuang grotto The grotto art of Dunhuang is great and Represented by Mogao Grottoes, the grotto art of Dunhuang is rich and colorful, and exist in large quantities, including frescos, painted sculptures, scriptures, scrolls and a lot of other artistic Among the artistic forms, the relics of the frescos in the Mogao Grottoes are the most In the Tang Dynasty, the Mogao Grottoes had boasted more than a thousand stone Now, 492 grottoes have been left, together with 45000 square meters of frescos in The portrayed social life scenes and appearances of various people of different dynasties before the Tang Dynasty among the frescos of Dunhuang are the precious materials for researching on the clothes and customs of the people of all the ethnics in different The frescos can be divided into Buddha statue paintings, Buddhist sutra paintings, narrative paintings, alimentation paintings, animal paintings, landscape paintings, decoration paintings and so The Buddha statue paintings include the portraits of various Buddha statues and Bodhisattvas while Buddhist sutra paintings, which are also called "sutra converted painting", uses the means of painting to express the contents of Buddhist The narrative paintings, however, are characterized by rich contents, vivid plots and strong traces of life, so, they are embedded with great Alimentation paintings are the portraits of the people who believed in Buddhism and donated funds to build grottoes, together with their relatives and The beautiful natural sceneries in some of the landscape paintings are painted according to the landscapes in sutra, while some others are independent pictures that take landscapes as the main There are also colorful decoration paintings, which were used to decorate the grotto Dunhuang frescos have abundant contents, varied forms and vivid time They reflect that the craftsmen at that time had advanced painting skills and abundant imagination They provide a large amount of objective materials for researching on the Chinese art 翻译过来就行了!
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