Chinese and Western cultural differences in the performance of every aspect of daily life from the greeting 、 term diet and cultural differences in the way of thinking in the abstract， such as differences everywhere， from the West focus on the following colors to express the difference between Chinese and Western cultural differences in areas such as a wedding First， in the West to express the color difference Different colors in different languages is not expressed in the same The representative of China in a sense， the West has a meaning that even the "color" to understand the meaning of the (A) red (red) Whether in China or in the English-speaking countries， often in red and festive celebrations or day- Calendar， red font used these days， therefore， red letter day: refers to the "Day" or "happy " It also refers to the red "liabilities" or "loss" because people are always negative in red to So there are these phrases: red figure deficit in the red loss In common with the Chinese "red" words， translated into English， may not necessarily use the "red" for example: brown sugar brown sugar red wine red wine (B) yellow Yellow in English and Chinese in the extended meaning of the differences are In English， yellow can be said that the "timid， cowardly， despicable，" meaning， for example: a yellow dog despicable， cowardly people a yellow livered coward Chinese yellow symbol of the term is sometimes vulgar， vulgar and obscene， indecent indecency means， such as yellow film， erotica， yellow CD， and so These in the name of "yellow" in English and "yellow" has nothing to However， in another English word blue is the color used to indicate the kind of meaning in Chinese， such as the blue jokes (dirty joke)， blue films (yellow film) Second， the cultural differences in Western wedding First of all， in Western wedding culture and the first in the West in thinking about the differences: the Chinese people more conservative， like excitement， more old-fashioned thinking， so in the history of China for thousands of years the entire wedding customs did not change The thinking in the West is more open to the requirements of the wedding will be lower， they will be the climax of the wedding in the church: the sacred as the "wedding march" into the red carpet， Jiao Mei's father， the bride linked hands Rose walked slowly to the groom， the bride's father， daughter to the groom's hand on hand， her daughter's life will be entrusted to the groom， all eyes followed the couple， filled with well-being in their Second， the result of cultural differences wedding in the West because the West in a different China is mainly Buddhist， but the West is mainly C Therefore， the Western wedding is to be held in the church and the priest is Zhuhun R China's traditional customs of the most important part of the Bai Tiandi is， the worship heaven and earth even after the ceremony has 中西方文化差异表现在方方面面，从日常生活的打招呼用语、饮食文化等差异到思维方式等抽象方面的差异无所不在，下面着重从中西方颜色表达的差异，中西方婚礼文化差异等方面阐述。 一、中西方颜色表达的差异 不同颜色在不同语言中表达的方式并不一样。在中国代表一种意义，在西方又表示一种涵义，甚至对“颜色”的涵义理解恰恰相反。（一）red（红色）无论是在英语国家还是在中国，红色往往与庆祝活动或喜庆日子有关。日历中，这些日子常用红色字体，因此，red letter day：指的是“纪念日”或“喜庆的日子”。红色还指“负债”或“亏损”，因为人们总是用红笔登记负数。于是就有了这些词组：red figure赤字 in the red亏损汉语中常用的带“红”字的词语，翻译成英语，可不一定用“red”例如： 红糖brown sugar 红酒red wine （二） yellow黄色在英语和汉语中的引申含义差别比较大。英语中，yellow可以表示“胆小、卑怯、卑鄙”的意思，例如：a yellow dog 可鄙的人，卑鄙的人a yellow livered 胆小鬼汉语中黄色一词有时象征低级趣味、色情庸俗、下流猥亵的意思，如黄色电影、黄色书刊、黄色光碟等等。这些名称中的“黄”与英语中的“yellow”无关。然而，英语中另一个颜色词blue却常用来表示汉语中这类意思，如blue jokes（下流的玩笑）， blue films（黄色电影）等。 二、中西方婚礼文化差异 首先，中西方婚礼文化差异首先和中西方人在思维方面的差异有关：中国人比较保守，喜欢热闹，思维较古板，所以在中国历史几千年的时间里整个婚礼的习俗并没有多大的变化。而西方人的思想则比较开放，对于婚礼的要求也比较低，他们婚礼的高潮则是在教堂中：随着神圣的《婚礼进行曲》步入鲜红的地毯，娇美的新娘挽着父亲手捧玫瑰慢慢向新郎走去，新娘的父亲将女儿的手放在新郎的手上，将女儿的一生托付给新郎，所有人的目光注视着这对新人，幸福洋溢在他们的脸上。其次，造成中西方婚礼文化差异的原因是中西方不同的宗教。中国是以佛教为主，而西方则是基督教为主的。所以西方的婚礼是在教堂中举行而主婚人则是神甫。中方的传统婚俗中的最重要环节就是拜天地，拜了天地以后就算是礼成了。
The features of a city are its As a factor most reflecting the times， society and nation，the buildings give overall and integrated expression to the national tradition， regional features spirit of the times and the social When you walk along the financial street of the Bund and the commercial street of East Nanjing Road and among the villas and gardens of Xujiahui， you can feel the history of prosperity of S In the past 150 years since its opening in 1843， Shanghai has gradually developed into an international metropolis as well as an important economic， trade financial and cul-tural center of C The special development op-portunities have made the western culture， local Shanghai culture and regional cultures of China collide， co-exist and become integrated and thus make Shanghai integrate the essence of the Chinese and Foreign In this way， Shanghai has become the place of origin for the modern Chinese con-struction culture and has a unique history of con-struction The modern buildings of Shanghai are rich in styles， almost covering those of almost all the periods of the world construction It can be said that they constitute a living world construction You can see the new classicism buildings， Gothic building and compromise buildings， to the modernism buildings popular in Europe and America， decoration and art buildings and the new classicism Chinese The number of the styles， the complexity of the types and the grand scale of those builds are beyond match in this They give a comprehensive reflection of the evolution of the modern society and cities and also provide a key to learn the culture of Shanghai and the history of modern C Those old buildings have seen the changes of Shanghai and are bestowed with the prosperity of S At this age， when China is embracing a new round of great economic development and the new concepts and ideas will bring Shanghai to an even brighter future， those old buildings will be bestowed with new Who will wake them up， wash away the dust， make them become stronger and make them stay young and beautiful? It is We will devote all our enthusiasm and wisdom to accomplish this 漫步街头，寻找城市的足迹，最显而易见的是城市的建筑。建筑是文化领域中最具有时代性、社会性和民族性的因素，整体而又集中地体现了民族传统、地域特性、时代精神和社会的价值取向。徜徉外滩金融街。南京东路商业街、徐汇区的花园别墅群间，看到的是上海兴盛的历史。自1843年开埠以后，上海在150年中，逐渐发展成为一个国际化的大都市，成为中国重要的经济中心、贸易中心、金融中心和文化中心。特殊的发展际遇，使西方文化、上海本地文化和中国不同地域文化在此相互间冲撞、并存，融合，糅合了古今中外文化的精粹，令上海成为中国现代建筑文化的策源地，拥有独特的建筑文化历史。 上海的近代建筑有着十分丰富的内涵，在近百年的建筑中，几乎囊括了世界建筑各个时期的各种风格，简直就是一部活生生的世界建筑史。从新古典主义，哥特复兴式、折衷主义到盛行欧美的现代主义建筑、装饰艺术派建筑。复兴中国传统建筑艺术的中国新古典建筑等，各种风格数量之多、种类之繁杂、规模之宏大在世界上也是罕见的。它综合反映了近代社会和城市演变的历程，是解读上海文化、研究近代中国的一把钥匙。 这些历尽世事的老房子是上海的精神所系，她们目睹上海的变迁，承载着城市的繁华旖梦。现在，又一次的经济发展席卷中国大地，冲击一切的新观念、新思想，又一次飞速地推动着城市向新的未来发展，这些老房子必将被赋予新的意义。由谁来惊醒她们，由谁来为她们洗去尘埃，由谁来令她们的身肢更为矫健，令岁月流逝不再是遗憾——是我们，我们愿意为此付出我们的热情和智慧。
