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鹜落霞孤

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自学的话 建议买本书学什么的? 电琴 还是 木琴?要是木琴 买本《吉他自学三月通》 很好的书要是电琴 买乔伊吉他教室的书想要练好吉他 不是光有一个火热的心就能成功的必须的加以练习第一天练习 先把左手弄好 每个手指按到品位上 找准位置练好以后 学习音符 2分 4分 8分 16分 然后打着节奏弹 单音随后 学音调 就可以弹比较简单的歌了 就像小星星那种的歌然后 看书 学习各个和旋 音阶这个 你必须熟练的联系 能够联系到 每个和旋变化 都很灵活 这样 你就能弹一些比较好听的歌了 例如 丁香花 那些花儿 红豆 什么的慢慢的 会越学越深 记住 最重要的联系 如果不刻苦练习 即使给你找 Steve Vai 或Michael Angelo 也没有用加油吧!

吉他教学论文范文大全

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环境工程旅者

首先讲一下吉他的构造然后从最简单的教起
121 评论(11)

罗渣渣

论文题目:古典吉他演奏中国民族音乐的实践选题的依据和意义,研究的主要问题,拟达到的目的:选题的依据和意义:有着悠久的历史传统中国民族音乐,是中华民族传统文化的重要组成部分。古典吉他被誉为同钢琴、小提琴并列的世界三大乐器之一。被认为是吉他艺术的最高形式。古典吉他细腻而多变的音色,丰富的和声,对不同时期、不同风格不同民族的能诠释自如。近年来,不少国内外的吉他演奏家都为古典吉他改编过中国民族音乐,其中不少作品取得了很高的艺术成就享誉国内外,不仅为古典吉他的曲目风格拓宽了方向,也为中国民族音乐的传播起到了积极的作用。研究的主要问题:(一)中国民族音乐的特点和风格。1、中国民族音乐的形态。2、中国民族音乐的种类和特点。(二)古典吉他的特点。1、古典吉他的音色,和声等特点。2、古典吉他的演奏技巧特点。3、古典吉他不同民族曲目风格的列举。(三)分析古典吉他演奏中国民族音乐的实践。1、列举古典吉他演奏中国民族音乐的乐曲。2、分别对乐曲改编前后的各种特点进行分析,对比,从而剖析古典吉他演奏中国民族音乐的可行性和特点。研究方法、研究步骤:方法:1、到图书馆或上网查询相关资料,并下载曲目和曲谱。2、总结归纳与同学交流,并视奏相关曲目。3、由论文指导老师指导并与同学讨论。步骤:1、收集与题目相关资料。2、与论文指导老师交流进行论文写作的展开。3、归纳总结研究结果,撰写论文。以上就是小编分享的关于音乐相关开题报告范文,小伙伴们可以仔细研究其中的内容,为自己的毕业论文寻找一些灵感,更多论文相关内容,请关注本平台,小编会做及时的整理与发布。
85 评论(10)

5260123a

你再提炼一下吧The guitar is a musical instrument of the chordophone family, being a stringed instrument played by plucking, either with fingers or a The guitar consists of a body with a rigid neck to which the strings, generally six in number but sometimes more, are Guitars are traditionally constructed of various woods and strung with animal gut or, more recently, with either nylon or steel Some modern guitars are made of polycarbonate Guitars are made and repaired by There are two primary families of guitars: acoustic and Acoustic guitars (and similar instruments) with hollow bodies, have been in use for over a thousand There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop The tone of an acoustic guitar is produced by the vibration of the strings, which is amplified by the body of the guitar, which acts as a resonating The classical guitar is often played as a solo instrument using a comprehensive fingerpicking Electric guitars, introduced in the 1930s, rely on an amplifier that can electronically manipulate Early amplified guitars employed a hollow body, but a solid body was found more Electric guitars have had a continuing profound influence on popular Guitars are recognized as a primary instrument in genres such as blues, bluegrass, country, flamenco, jazz, jota, mariachi, reggae, rock, soul, and many forms of Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having "a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides"[1] The term is used to refer to a number of related instruments that were developed and used across Europe beginning in the 12th century and, later, in the A[2] These instruments are descended from ones that existed in ancient central Asia and I For this reason guitars are distantly related to modern instruments from these regions, including the tanbur, the setar, and the The oldest known iconographic representation of an instrument displaying the essential features of a guitar is a 3,300 year old stone carving of a Hittite [3]The modern word "guitar" and its predecessors applied to a wide variety of cordophones since ancient times and as such is a cause of The English word "guitar", the German "gitarre", and the French "guitare", were adopted from the Spanish word guitarra,[4] which comes from the Andalusian Arabic qitara (قيثارة),[5] itself derived from the Latin of the Roman empire, cithara, which in turn came from the earlier Greek word kithara (κιθάρα),[6] a descendant of Old Persian sihtar ( سی تار) (Tar means string in Persian)[7]The guitar is descended from the Roman cithara brought by the Romans to Hispania around 40 AD, and further adapted and developed with the arrival of the four-string oud, brought by the Moors after their conquest of Iberia in the 8th [8] Elsewhere in Europe, the indigenous six-string Scandinavian lut (lute), had gained in popularity in areas of Viking incursions across the Often depicted in carvings 800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of S[9] By 1200 AD, the four-string "guitar" had evolved into two types: the guitarra moresca (Moorish guitar), which had a rounded back, wide fingerboard, and several soundholes—and the guitarra latina (Latin guitar), which resembled the modern guitar with one soundhole and a narrower [10] In the 14th and 15th centuries the qualifiers "moresca" and "latina" were dropped and these four course instruments were simply called [11]The Spanish vihuela or (in Italian) "viola da mano", a guitar-like instrument of the 15th and 16th centuries, is often considered a major influence in the development of the modern It had six courses (usually), lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a sharply-cut It was also larger than the contemporary four course By the late 15th century some vihuelas began to be played with a bow, leading to the development of the By the sixteenth century the vihuela's construction had more in common with the modern guitar, with its curved one-piece ribs, than with the viols, and more like a larger version of the contemporary four-course The vihuela enjoyed only a short period of popularity in Spain and Italy during an era dominated elsewhere in Europe by the lute; the last surviving published music for the instrument appeared in Meanwhile the five-course baroque guitar, which was documented in Spain from the middle of the 16th century, enjoyed popularity, especially in Spain, Italy and France from the late 16th century to the mid 18th [12][13] Confusingly, in Portugal, the word vihuela referred to the guitar, whereas guitarra meant the "Portuguese guitar", a variety of
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