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Abstract: Dress culture is a cultural phenomenon unique to human As it has different aesthetic ideas, different dressing concepts and different dress etiquette in China and west, it forms Chinese and western dress culture of the different connotation and This thesis is divided into four major The first part describes the different features of Chinese and western dress and why people wear The second part describes cultural differences between Chinese and western The third part gives an analysis of Chinese and western dress The last part describes Chinese and western dress aesthetic culture and dress Based on the analysis, the thesis finally draws a Chinese and western dress culture each has rich connotation and distinct characteristics, which are precious cultural legacy which is left by human ancestors and are the world culture At the same time, we treasure our own civilization of five thousand years instead of belittling It is significant to promote and develop our unique costume We are confident and make contributions to realizing the rejuvenation of our Chinese nation and enriching the clothing culture of the whole Key words: Chinese and western clothing; culture;differences;aesthetic culture and clothing concepts 摘要摘要摘要摘要::::服饰文化是人类特有的文化现象。由于中西方各民族的审美观念、着装理念和服饰礼仪的不同,从而形成了不同内涵、不同特色的中西方服饰文化。本文共分为四部分。第一部分主要介绍了中西服饰的不同特征以及为什么人要穿衣服,第二部分写中西方服饰的差异,第三部分写导致中西方服饰文化差异的原因,第四部分则写中西方服饰审美文化和着装理念。通过以上简单的论述,最后得出结论,中西方服饰文化各具有丰富的内涵和鲜明的特色,她们都是人类祖先留下来的宝贵文化遗产 ,是世界文化的瑰宝。与此同时,我们应该珍惜自己五千年的文明而不是贬低自己的文明。促进和发展我们独特的民族服饰文化具有重要的意义。为了实现我们中华民族的文化复兴和丰富整个世界的文化,让我们自信起来吧! 关键词关键词关键词关键词::::中西服饰;文化;差异性;审美文化与着装理念Introduction Costume culture, carried by costume, is a respect of our physical and spiritual life and a mixture of our psychological activities like consciousness, emotion, idea and The rapid development of advanced technology makes multiculturalism stand out and also makes conflicts between China and the West In that case, it becomes more and more important to recognize the similarities and differences of costume culture between China and the W Nowadays, the whole world is, to some extent, dominated by the western costume culture, which has wound its way into the daily life of the whole world, together with technology, life style and values from the W Quite popular in China, it’s nominally called “internationalization” or “globalization” In recent years, the costume industry of China has developed The “international” costume, featured by the western costume culture, has become a pretty important part of our daily However, as our economy takes off, international status rises and living standard improves, a wave of national costume culture resurgence is Moreover, people from the West pay more and more attention to the giant dragon in the East——C Western costume designers constantly introduce Chinese costume cultural elements to their latest Those phenomena arouse a series of thoughts: what distinguishes Chinese costume culture from the western one? Are there any similarities between them? What kind of costume culture will we Chinese hold as the mainstream in the future, the so-called “international” western one, the Chinese one or the fusion of the two? To obtain the answers to these questions, we are supposed to study and contrast carefully the characteristics and developing processes of them, and then draw some To contrast the costume culture between China and the West, it is necessary for us to master a good knowledge of the Chinese and western costume cultural Chapter 1 Chinese and western dress 1 The different features of Chinese and western dress China is known as “Xia” as it’s a land of propriety, and it’s also known as “Hua” with the beauty of its (①《左传》p83) Our national costume is H It originated in the Yanhuang era, formed in the Spring and Autumn Period and officially took form in Han D That’s the reason why it’s called “Hanfu” Since then, in spite of historical evolutions of all ages, their basic characteristics have never Hanfu, on the whole, can be divided into four developing stages: Zhou Han Hanfu, Wei Jin Hanfu, Sui Tang Hanfu and Song Ming H Zhou Han Hanfu was featured by dignity and simplicity, while Wei Jin Hanfu by chic and elegance, Sui Tang Hanfu by dignified, graceful, elegant and poised Hanfu in Song and Ming Dynasties epitomizes the characteristics of the past-simple, dignified, elegant, In Qing Dynasty, Hanfu was forbidden by the government and disappeared from the land of C The main features of Chinese clothing are focusing on the right collar’s overlap, the band deducted hidden, big sleeves, no buttons and using string binding, giving the impression of free and easy These characteristics are obviously different from those of other ethnic Hanfu is divided into uniform and common With strict standards, uniform is dressed on formal occasions while the common clothing, without long sleeves, is very convenient to people’s daily However, the western clothing is different form the Chinese The West belongs to Marine civilization, it emphasizes the subjective and objective separation and that we should rationally treat clothing, advocate releasing personality, stress dress effect and be good at showing beautiful the posture of the Besides, we use various clipping, color collocation means to perfect bodily curve and give a person with visual comfort in the A suit, also known as a business suit, comprises a collection of matching clothing consisting of: a coat﹙commonly known as a jacket﹚,a waistcoat﹙optional﹚﹙USA vest﹚for men, a pair of trousers﹙USA pants﹚, or for women, a shirt or A suit is generally accompanied by torment, a shirt and tie or for women, a 2 Why people wear clothingChinese people are concerned more about its social function of helping to rule a country well than that of keeping warm or It has a lot to do with ruling a country to regulate the dressing way of the common Nevertheless, the westerners pay more attention to its wealth value and Therefore, people put on clothing for functional and social 1 The functional reason The first use of clothing is to resist the cold and cover the Functions of clothing include providing the human body protection against extremes of climate (extreme heat, icy winters, and drenching storms) and protection against insects, noxious, chemicals, and contact with abrasive In sum, clothing protects human beings against anything that might injure the naked, unprotected human 2 The social reason Clothing also delivers social messages to other Social messages sent by clothing, accessories, and decorations can involve social status, occupation, ethnic and religious belief, marital status, cultural degree and sexual availability, For example, only Roman citizens can wear “Toga” in Rome while dragon robe can only be dressed by the emperor in C

中西方服饰文化论文选题

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有一部名为《刮痧》的影片,是讲由于中国两千年中医传统经络疗法“刮痧”不被美国认可,造成“虐待儿童”疑案,使得影片中许大同一家被迫服从法律,父子分离、夫妻分居。在中国人看来,明明是对爷爷对孙子的爱而用刮痧的手法为其治病,而美国人却认为是虐待儿童。可见中西文化观念差异是比较大的。不同文化有不同的观念,往往带来认识上的偏差和误区。 要说起文化的差异,我觉得应该先从饮食文化说起,因为“民以食为天”,它能够反映不同民族生活习惯和文化思维方面的差异。世界上有三大美食:中国、法国和意大利,我们看看这些美食方面最基本的差异。在饮食方面,中国人很注重形式,讲究“色、香、味”,所以中国烹调里,菜的样式千变万化,具体到每一道菜又非常讲究色香味的搭配。而欧洲人很讲实际,在菜的花色变化上从不下什么工夫,更讲究其营养搭配和保护,注重菜的内在质量。这是中餐和西餐的主要差异。中国人吃饭每次都上很多菜,可都长得很瘦,西方人每次菜很少,但都比中国人长得结识。 再看看餐具的差别:刀叉和筷子,不仅带来了进食习惯的差异,进而影响了东西方人生活观念。刀叉必然带来分食制,而筷子肯定与家庭成员围坐桌边共同进餐相配。西方一开始就分吃,由此衍生出西方人讲究独立,子女长大后就独立闯世界的想法和习惯。而筷子带来的合餐制,突出了老老少少坐一起的家庭单元,从而让东方人拥有了比较牢固的家庭观念。 不同的颜色在不同的国家和民族所代表的意义完全不同,对不同颜色的喜好从整体上可以反映一个民族或者国家的审美情趣与好恶倾向。在中国的文化背景里,红色代表着幸运、财富和吉祥喜庆,而在西方人的观念里,红色是血的颜色,表示冲动、挑衅和动乱,我们看到西班牙斗牛士拿着红布就是向牛挑战,红色可以激怒斗牛,所以,中国人在喜庆的节日里喜欢穿红色的衣服,而西方人一般选择蓝色,因为他们觉得蓝色代表冷静和沉着。 在思维方式上的差别是:中国人思维比较抽象,西方人比较具体。 在生活态度上的差别是:中国人偏重精神感受,西方人注重实用。 在绘画和雕刻艺术上,中国画是泼墨写意,西方的油画讲究人体比例和光学原理。比如:中国人为了表现神仙可以飞行就在仙女的脚下加上几朵白云,体现飞的意境。西方人就不能理解我们这种抽象的艺术表现手法,在西方的经典的宗教题材画作中,为了说明天使在飞,就得给那些可爱的小精灵们加上一双翅膀。因为他们只有想到翅膀会飞。在雕刻作品中,中国人更注重想象力和意境,比如一个猴子蹲在马背上,它们的比例相差无几,只是表现了一种意境:马上封侯。而西方的雕刻作品讲求写实和细腻,绝不会出项这种比例失调的艺术作品。中国人在介绍来宾时,喜欢用褒扬的话语言辞,会加上很多主观评论。但西方人认为,介绍客人时不必评头论足,凡是主观性的评论都有强加的感觉,介绍主要突出被介绍人的身份、学历、职务等,而不应该附加外貌和抽象的评论。西方人比较看中个人的独立性。受人照顾往往被视为弱者。在给对方出主意或提建议时,不能使对方认为自己小看他的能力,不必教人怎么做。中国人往往以出主意提建议表示关心。 中国亲朋好友和同事之间的串门很随便,邀请别人来访无需为对方确定时间,自己去探访别人无需郑重其事征得同意。美国人则没有串门的习惯。平时如果有事上门,事先要确切地预约时间。没有得到对方的应允,随时随地随便上门时不礼貌的行为。无事打电话闲聊也是美国人视为打乱别人私人时间和活动安排的行为。中国人缺少拥抱,缺少肌肤之亲。我们不善于用肢体动作来表达人与人之间的友好和亲近,这是一个很大的遗憾。 心理学研究表明,那些经常被触摸和拥抱的小孩的心理素质要比缺乏被触摸和拥抱的健康得多。成人也是如此。人需要触摸。中国小孩远远比美国小孩受到拥抱和亲吻得少,到了十岁左右,就很少有人拥抱和吻你了,包括你的父母亲人。除了握手,我们要到谈恋爱时才会和另外一个有身体接触。也就是说,我们通常在十来年或更长的时间里,没有身体的亲密接触。在西方文化里,父母和儿女、兄弟姐妹之间、好友之间,从小到大没有间断过拥抱和亲吻。凡是正常的人都会有体会,任何言语表达不能代替肢体的表达。社会学和心理学教科书都有“身体语言”这个术语。中国文化缺少丰富的身体语言来表达人之间的感情和分享。东方人喜欢把问题复杂化,而西方人则喜欢简单,不愿使自己活得太累。许多中国人觉得西方人单纯,简直有点傻,或者说像小孩,童心重。 西方本质上是一个道德至上的社会,也是一个契约社会,就是我们追求的"和谐社会",契约社会讲究“先说好后不乱”,它可以是口头的,也可以是书面的人与人之间的契约关系,有些时候要用法律文本的形式明确当事双方的责权利。即是对自己权利的保护,对他***利的尊重 中国文化讲仁爱,重义气。在西方,儿女成人后,父母没有再抚养他们的义务,回家吃饭一分一毛也要计算清楚。中/西方的教育观念差别也是很大的,有一位美国人娶了中国老婆后才感叹:“以前,我以为中国人比美国人聪明,现在我才知道, 原来中国父母永远在逼孩子读书,他们的职责是教育出学业最优秀的子女来,甚至连孩子的暑假也不放过。美国父母的职责是让孩子真正享受自己的童年,去运动,去交朋友,去野游,去做自己喜欢做的事情。” 美国的家长从不帮助孩子辅导功课,他们认为:如果家长是老师,那孩子学校的老师做什么?如果孩子做作业出了错,他们也不给孩子正确答案,会让孩子再思考,他们认为,人哪有不犯错误的,不出错,怎么提高? 他们很注重孩子的自信心,从来不打击孩子,不说小孩怎么笨,总是不断地夸奖他们也不会让孩子牺牲周末玩耍的时间去学习。中国的父母之间总以子女的学习成绩为荣耀。美国父母之间谈孩子的学业不多,孩子的成绩更是自家的事,别人管不着。中国的教育总是对孩子期望过高,孩子被支配、被指责得太多,会变得脆弱,他们最怕犯错误,最怕失败,所以为了避免错误,反而放弃了提出问题的机会,放弃了在失败中学习的过程。长大后,孩子不仅失去了创造和想象的能力,而且会变得患得患失。因为被强压后学习到的知识、思维、逻辑和推理,是被动的。在当今竞争如此无情激烈的世界里,唯有强者方能出成就。中国的教育体系不是塑造一个真实的孩子,总要把孩子变成自己所希望的样子。没有给孩子一个想成为自己的空间,而是别人怎么做你也要怎么做的盲从产物。兴趣对于大人和孩子都是非常重要的,让一个人去做不想做的事,只会事倍功半。尊重孩子,把他看作一个平等的人,与你享受平等的说话权利,批评权利,反抗权利,听话的孩子不一定是好孩子,更不一定会有出息。中国一再强调自己的基础教育有多么扎实,美国孩子的数理化有多么差劲。但我们看到的事实是:美国永远都处在世界科技的前沿。我们中国人天天都用的电脑,其中的电脑芯片和里面运行的大大小小软件,有多少不是美国人搞出来的?
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