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英美诗歌赏析论文

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A Comparison between Two Nature Poems  Abstract: William Wordsworth, the representative of the romantic writers and great writers of His great imagination, with the poet’s philosophical and somewhat mystical thought, is deeply rooted in the poetical ‘To Autumn” written by John Keats also is an excellent poem about In “To Autumn”, a superficial reading would suggest that John Keats writes about a typical day of this season, describing all kind of colourful and detailed In this paper, the two representative poems are examined in terms of figures of speech, imagery skills and theme to appreciate the nature   Key words: William Wordsworth; daffodils; nature; to autumn  Nature poems are an important part of It chants all creatures great and small in the nature, such as four seasons, plants, animals, mountains and rivers and clouds and Poem writers rooted their great imagination, philosophical and somewhat mystical thought in their By analyzing nature poems, we can appreciate the beauty of    Figures of Speech Used in Daffodils  Personification is successfully used in both In the poem “I wandered lonely as a cloud”, the first line makes nice use of personification and The poet assumes himself to be a cloud (simile) floating in the When Wordsworth says in the second line 'I' (poet as a cloud) look down at the valleys and mountains and appreciate the daffodils; it's the personification, where an inanimate object (cloud) possesses the quality of a human enabling it to see the The line "Ten thousand saw I at a glance" is an exaggeration and a hyperbole, describing the scene of ten thousand daffodils, all Alliteration is the repetition of similar sounds, is applied for the word 'h', in the words - high and In “To Autumn” personification is wildly Take the second stanza for example, autumn personified as a harvester, crosses a brook and watches a cider Otherwise autumn is listless and even falls The furrow is "half-reap'd," the winnowed hair refers to ripe grain still standing, and apple cider is still being However, the end of the cycle is The press is squeezing out "the last " Find other words that indicate slowing Notice that Keats describes a reaper who is not harvesting and who is not turning the Personification here is very It gives autumn a personality and the autumn is no longer    Imagery Skill  The poem “In Daffodils” paints images of lakes, fields, trees, stars in U Wordsworth continuously praises the daffodils, comparing them to the Milky Way galaxy (in the second stanza), their dance (in the third stanza) and in the concluding stanza, dreams to join the daffodils in their John Keats's “Ode to Autumn” is replete with imagery, each eleven-line stanza of iambic pentameter emphasizing different types of images and different times of day and periods of the personified John Keats's “Ode to Autumn” is replete with imagery, each eleven-line stanza of iambic pentameter emphasizing different types of images and different times of day and periods of the personified Take stanza one for example, it abounds with visual images all of which suggest linked ideas of fullness and To enumerate, the opening line concludes with "fruitfulness," which evokes images both of trees and other vegetation loaded and heavy with each's particular variety of Readers also sense the juicy ripeness that fills and swells to bursting each different item of Vines are loaded and blessed with fruit; apple tree branches bend under the weight of fruit ready to be picked; gourds swell, hazel nuts are "plump" with developed kernels; beehives "o'erbrim" with the nectar of a riot of    Title and Theme  The title, 'Daffodils' is a simple word that reminds us about the arrival of the spring season, when the field is full of Daffodils are yellow flowers, having an amazing shape and beautiful A bunch of daffodils symbolize the joys and happiness of The theme of the poem 'Daffodils' is a collection of human emotions inspired by nature that we may have neglected due to our busy The daffodils imply rebirth, a new beginning for human beings, blessed with the grace of The arrival of daffodils in the month of March is welcome and an enjoyable time to appreciate them! To Autumn has three Each of three stanzas shows us different time of a day and different time of I thought this poem exhibited two kinds of progression of First is the time of The first stanza is the morning with the "mists" The second is late afternoon, when the hot sun is beating down and makes everyone The third is at sunset with the "barred clouds" piercing the sky with its "rosy hue"  In the poem “To Autumn”, it shows a progression in the season of autumn The first stanza is early autumn because "summer has o'er It shows the maturing of summer’s The second is mid-autumn, because it's time for The third is late autumn because the birds are headed south for From the above, we can see the optimism in the   “Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility” (Shelley), Poetry teaches us music, metaphor, condensation and Though the analysis of the nature poems, we can see the beautiful of poems and root the fountain that forever overflowing with the waters of wisdom and delight in   Works Cited  Roger G The Walker’s Literature C New York: Breakwaw Books; 2000:   J O H Rhythm and muse : your friendly guide to English Johannesburg (56 Chaucer R, Lombardy East 2090): Wordsmiths P,   R K Sadler; T A S Hayllar; C J P Appreciating P South Melbourne: Macmillan Education,   李正栓;吴晓梅 英美诗歌教程[M] 北京: 清华大学出版社, 2004: 97-99,140-142  孙华祥 美国文学选读[M] 北京: 中国社会科学出版社, 2010: 151-

英美诗歌赏析论文

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joaneter

一个秋日的午后,诗人雪莱在意大利佛罗伦萨近郊的树林里漫步。突然狂风大作,乌云翻滚。到了傍晚,暴风雨夹带着冰雹雷电倾盆而下,荡涤着大地,震撼着人间。大自然威武雄壮的交响乐,触发了诗人的灵感,他奋笔疾书,谱写了不朽的抒情短诗《西风颂》。这是1819年的事情。 当时,欧洲各国的工人运动和革命运动风起云涌。英国工人阶级为了争取自身的生存权利,正同资产阶级展开英勇的斗争,捣毁机器和罢工事件接连不断。1819年8月,曼彻斯特八万工人举行了声势浩大的游行示威,反动当局竟出动军队野蛮镇压,制造了历史上著名的彼得卢大屠杀事件。雪莱满怀悲愤,写下了长诗《暴政的假面游行》,对资产阶级政府的血腥暴行提出严正抗议。法国自拿破仑帝制崩溃、波旁王朝复辟以后,阶级矛盾异常尖锐,广大人民正酝酿着反对封建复辟势力的革命斗争。拿破仑帝国的解体也大大促进了西班牙人民反对异族压迫和封建专制的革命运动,1819年1月,终于响起了武装起义的枪声。就在武装起义的前夕,雪莱给西班牙人民献上了《颂歌》一首,为西班牙革命吹响了进军的号角。在意大利和希腊,民族解放运动方兴未艾,雪莱的《西风颂》发表不久,这两个国家也先后爆发了轰轰烈烈的武装起义。面对着欧洲山雨欲来风满楼的革命形势,雪莱为之鼓舞,为之振奋,诗人胸中沸腾着炽热的革命激情。这时,在一场暴风骤雨的自然景象的触发下,这种难以抑制的革命激情立刻冲出胸膛,一泻千里,化作激昂慷慨的歌唱: 你怒吼咆哮的雄浑交响乐中, 将有树林和我的深沉的歌唱, 我们将唱出秋声,婉转而忧愁。 精灵呀,让我变成你,猛烈、刚强! 把我僵死的思想驱散在宇宙, 像一片片的枯叶,以鼓舞新生; 请听从我这个诗篇中的符咒, 把我的话传给全世界的人, 犹如从不灭的炉中吹出火花! 雪莱在歌唱西风。他歌唱西风以摧枯拉朽的巨大力量扫除破败的残叶,无情地把那“黑的、惨红的、铅灰的,或者蜡黄,患瘟疫而死掉的一大群”垃圾扫除干净;他歌唱西风“在动乱的太空中掀起激流”,搅动着“浓云密雾”,呼唤着“电火、冰雹和黑的雨水”,“为这将逝的残年唱起挽歌”;他歌唱西风唤醒沉睡的浩翰大海,波涛汹涌,把一丛丛躲藏在海底深处的海树海花,吓得惊恐色变,“瑟瑟地发抖,纷纷凋谢”。雪莱歌唱西风,同时也在歌唱席卷整个欧洲的革命风暴。他歌唱革命运动正以排山倒海之势,雷霆万钧之力,横扫旧世界一切黑暗反动势力。革命运动风起云涌,一顶顶皇冠随风落地,一群群妖魔鬼怪望风逃遁,这正是当时欧洲革命形势的生动写照。 雪莱在歌唱西风。他歌唱西风“是破坏者,又是保护者”。他歌唱西风不仅扫除了残枝败叶,而且“送飞翔的种籽到它们的冬床”。待到来年春天,西风的妹妹——东风驾临大地,就会“蓓蕾儿吐馨”,“漫山遍野铺上了姹紫嫣红”,出现一个春光明媚的新世界。雪莱歌唱西风,同时也在歌唱革命。他和那些资产阶级凡夫俗子不同,他没有把革命简单地看作消极的破坏力量。他看到了革命一方面在扫除腐朽,无情地摧毁旧世界,另一方面又在“鼓舞新生”,积极地在创建着美好的新世界。尽管雪莱对新世界的理解还比较空泛,还不可能突破空想社会主义的水平。 雪莱在歌唱西风。但他不是冷眼旁观的歌者,他强烈地热爱西风,向往西风,他以西风自喻,西风是他的灵魂,他的肉体,诗人和西风合而为一: 如果我是任你吹的落叶一片; 如果我是随着你飞翔的云块; 如果是波浪,在你威力下急湍,享受你神力的推动,自由自在, 几乎与你一样,啊,你难制的力! 再不然,如果能回返童年时代,常陪伴着你在太空任意飘飞, 以为要比你更神速也非幻想; 那我就不致处此窘迫的境地,向你苦苦求告:啊,快使我高扬, 像一片树叶、一朵云、一阵浪涛! 我碰上人生的荆棘,鲜血直淌!时光的重负困住我,把我压倒, 我太像你了:难驯、迅速而骄傲。 这是雪莱在歌唱西风,同时在激励和鞭策自己。雪莱是一个热情的浪漫主义诗人,同时又是一个勇敢的革命战士,他以诗歌作武器,积极投身革命运动,经受过失败和挫折,但始终保持着高昂的战斗精神。他早年就赴爱尔兰参加民族解放斗争,回到英国后继续抨击暴政,鼓吹革命,同情和支持工人运动。因而受到资产阶级反动政府的迫害,不得不愤然离开自己的祖国。在旅居意大利期间,他与意大利“烧炭党”人和希腊革命志士来往密切,同情和支持他们的革命活动。在《西风颂》里,熔铸着雪莱坎坷的人生道路,倾注着雪莱对反动统治者的满腔愤恨,洋溢着雪莱不屈不挠的战斗精神,表达了雪莱献身革命的强烈愿望。 《西风颂》是秋天的歌,是时代的声音。19世纪初叶,科学社会主义还没有诞生,欧洲各国的工人运动还处在自发阶段,封建贵族和资产阶级的反动势力还很强大,“神圣同盟”的魔影正在到处游荡着。大地还没有苏醒,寒冬还在后头。所以,《西风颂》不免带有“婉转而忧愁”的调子。但作为社会主义思想的先驱,雪莱对革命前途和人类命运始终保持着乐观主义的坚定信念,他坚信正义必定战胜邪恶,光明必定代替黑暗。从总的倾向来看,《西风颂》的旋律又是“猛烈、刚强”的。诗人以“天才的预言家”的姿态向全世界大声宣告: 如果冬天来了,春天还会远吗? 《西风颂》是欧洲诗歌史上的艺术珍品。全诗共五节,由五首十四行诗组成。从形式上看,五个小节格律完整,可以独立成篇。从内容来看,它们又熔为一体,贯穿着一个中心思想。第一节描写西风扫除林中残叶,吹送生命的种籽。第二节描写西风搅动天上的浓云密雾,呼唤着暴雨雷电的到来。第三节描写西风掀起大海的汹涌波涛,摧毁海底花树。三节诗三个意境,诗人幻想的翅膀飞翔在树林、天空和大海之间,飞翔在现实和理想之间,形象鲜明,想象丰富,但中心思想只有一个,就是歌唱西风扫除腐朽、鼓舞新生的强大威力。从第四节开始,由写景转向抒情,由描写西风的气势转向直抒诗人的胸臆,抒发诗人对西风的热爱和向往,达到情景交融的境界,而中心思想仍然是歌唱西风。因此,结构严谨,层次清晰,主题集中,是《西风颂》一个突出的艺术特点。 其次,《西风颂》采用的是象征手法,整首诗从头至尾环绕着秋天的西风作文章,无论是写景还是抒情,都没有脱离这个特定的描写对象,没有使用过一句政治术语和革命口号。然而读了这首短诗以后,我们却深深感受到,雪莱在歌唱西风,又不完全是歌唱西风,诗人实质上是通过歌唱西风来歌唱革命。诗中的西风、残叶、种籽、流云、暴雨雷电、大海波涛、海底花树等等,都不过是象征性的东西,它们包含着深刻的寓意,大自然风云激荡的动人景色,乃是人间蓬勃发展的革命斗争的象征性反映。从这个意义上说,《西风颂》不是风景诗,而是政治抒情诗,它虽然没有一句直接描写革命,但整首诗都是在反映革命。尤其是结尾脍炙人口的诗句,既概括了自然现象,也深刻地揭示了人类社会的历史规律,指出了革命斗争经过艰难曲折走向胜利的光明前景,寓意深远,余味无穷,一百多年来成了人们广泛传诵的名言警句。
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