我帮你换了一篇可以吗?"苔丝"人物分析这篇着重分析人物原来的是"飘"主要是从对人物的喜好来说我想这篇可能比教好不喜欢你再给我发信Analysis of Major CharactersTess DurbeyfieldIntelligent， strikingly attractive， and distinguished by her deep moral sensitivity and passionate intensity， Tess is indisputably the central character of the novel that bears her But she is also more than a distinctive individual: Hardy makes her into somewhat of a mythic Her name， formally Theresa， recalls S Teresa of Avila， another martyr whose vision of a higher reality cost her her Other characters often refer to Tess in mythical terms， as when Angel calls her a “Daughter of Nature” in Chapter XVIII， or refers to her by the Greek mythological names “Artemis” and “Demeter” in Chapter XX The narrator himself sometimes describes Tess as more than an individual woman， but as something closer to a mythical incarnation of In Chapter XIV， he says that her eyes are “neither black nor blue nor grey nor violet; rather all these shades together，” like “an almost standard ” Tess’s story may thus be a “standard” story， representing a deeper and larger experience than that of a single In part， Tess represents the changing role of the agricultural workers in England in the late nineteenth Possessing an education that her unschooled parents lack， since she has passed the Sixth Standard of the National Schools， Tess does not quite fit into the folk culture of her predecessors， but financial constraints keep her from rising to a higher station in She belongs in that higher world， however， as we discover on the first page of the novel with the news that the Durbeyfields are the surviving members of the noble and ancient family of the d’U There is aristocracy in Tess’s blood， visible in her graceful beauty—yet she is forced to work as a farmhand and When she tries to express her joy by singing lower-class folk ballads at the beginning of the third part of the novel， they do not satisfy her—she seems not quite comfortable with those popular But， on the other hand， her diction， while more polished than her mother’s， is not quite up to the level of Alec’s or Angel’ She is in between， both socially and Thus， Tess is a symbol of unclear and unstable notions of class in nineteenth-century Britain， where old family lines retained their earlier glamour， but where cold economic realities made sheer wealth more important than inner Beyond her social symbolism， Tess represents fallen humanity in a religious sense， as the frequent biblical allusions in the novel remind Just as Tess’s clan was once glorious and powerful but is now sadly diminished， so too did the early glory of the first humans， Adam and Eve， fade with their expulsion from Eden， making humans sad shadows of what they once Tess thus represents what is known in Christian theology as original sin， the degraded state in which all humans live， even when—like Tess herself after killing Prince or succumbing to Alec—they are not wholly or directly responsible for the sins for which they are This torment represents the most universal side of Tess: she is the myth of the human who suffers for crimes that are not her own and lives a life more degraded than she Alec d’Urberville An insouciant twenty-four-year-old man， heir to a fortune， and bearer of a name that his father purchased， Alec is the nemesis and downfall of Tess’s His first name， Alexander， suggests the conqueror—as in Alexander the Great—who seizes what he wants regardless of moral Yet he is more slippery than a grand His full last name， Stoke-d’Urberville， symbolizes the split character of his family， whose origins are simpler than their pretensions to After all， Stokes is a blunt and inelegant Indeed， the divided and duplicitous character of Alec is evident to the very end of the novel， when he quickly abandons his newfound Christian faith upon remeeting T It is hard to believe Alec holds his religion， or anything else， His supposed conversion may only be a new role he is This duplicity of character is so intense in Alec， and its consequences for Tess so severe， that he becomes The first part of his surname conjures associations with fiery energies， as in the stoking of a furnace or the flames of His devilish associations are evident when he wields a pitchfork while addressing Tess early in the novel， and when he seduces her as the serpent in Genesis seduced E Additionally， like the famous depiction of Satan in Milton’s Paradise Lost， Alec does not try to hide his bad In fact， like Satan， he revels in In Chapter XII， he bluntly tells Tess， “I suppose I am a bad fellow—a damn bad I was born bad， and I have lived bad， and I shall die bad， in all ” There is frank acceptance in this admission and no Some readers feel Alec is too wicked to be believable， but， like Tess herself， he represents a larger moral principle rather than a real individual Like Satan， Alec symbolizes the base forces of life that drive a person away from moral perfection and Angel Clare A freethinking son born into the family of a provincial parson and determined to set himself up as a farmer instead of going to Cambridge like his conformist brothers， Angel represents a rebellious striving toward a personal vision of He is a secularist who yearns to work for the “honor and glory of man，” as he tells his father in Chapter XVIII， rather than for the honor and glory of God in a more distant A typical young nineteenth-century progressive， Angel sees human society as a thing to be remolded and improved， and he fervently believes in the nobility of He rejects the values handed to him， and sets off in search of his His love for Tess， a mere milkmaid and his social inferior， is one expression of his disdain for This independent spirit contributes to his aura of charisma and general attractiveness that makes him the love object of all the milkmaids with whom he works at TAs his name—in French， close to “Bright Angel”—suggests， Angel is not quite of this world， but floats above it in a transcendent sphere of his The narrator says that Angel shines rather than burns and that he is closer to the intellectually aloof poet Shelley than to the fleshly and passionate poet B His love for Tess may be abstract， as we guess when he calls her “Daughter of Nature” or “D” Tess may be more an archetype or ideal to him than a flesh and blood woman with a complicated Angel’s ideals of human purity are too elevated to be applied to actual people: M Durbeyfield’s easygoing moral beliefs are much more easily accommodated to real lives such as Tess’ Angel awakens to the actual complexities of real-world morality after his failure in Brazil， and only then he realizes he has been unfair to T His moral system is readjusted as he is brought down to E Ironically， it is not the angel who guides the human in this novel， but the human who instructs the angel， although at the cost of her own
Good and Evil Described by Dickens: An Analysis of Typical Characters in Oliver TwistAbstractCharles Dickens is the greatest representative of English critical realism in the nineteenth One of Dickens’ favorite novels Oliver Twist is known all over the world for the well-portrayed In Oliver Twist， dozens of characters are well portrayed， including good and This thesis analyzes some of the typical characters in the First， the child hero of the novel， Oliver Twist， is good incarnation described by Dickens; Oliver possess many precious Second， Fagin and Sikes’ evil exposes completely and arouses readers antipathy and Finally， the complex poor character， Nancy， has conflicts between her inner conscience and her devotion to S Ultimately， she risks her life to help Oliver， which commits one of the most noble acts of kindness in the So the conclusion draws that Dickens believes that most people were good at heart， but at times， their good impulses could be distorted by terrible Key Words: Charles Dickens; Oliver Twist; goodness; nature; evil; ferocity 摘 要查尔斯�6�1狄更斯是19世纪英国伟大的批判现实主义作家。《雾都孤儿》是狄更斯最喜欢的作品之一，也由于作者对小说人物的成功刻画而闻名遐迩。在《雾都孤儿》中，许多的人物被成功的塑造，包括善良的和邪恶的。这篇论文分析了小说中的一些典型人物。首先，是儿童主人公奥利佛尔�6�1特维斯特是狄更斯笔下善良的化身，他拥有许多难能可贵的性格特征。其次，费金和塞克斯罪恶形象的充分暴露引起了读者的反感和憎恶。最后，可怜而又性格复杂的南茜陷入良心的发现和对爱人忠诚的两难境地。最终，她冒着生命危险帮助奥利佛尔是小说中最崇高的善行之一。通过对《雾都孤儿》典型人物的分析，可以得出这样的结论：狄更斯相信大多数人的内心是善良的，但有时，一些人的善念也许会因糟糕的外界环境而扭曲。关键词：查尔斯�6�1狄更斯、奥利佛尔�6�1特维斯特、善良、本性、罪恶、凶残希望你满意！
