《傲慢与偏见》(Pride and prejudice)是简·奥斯汀最早完成的作品，她在1796年开始动笔，取名为《最初的印象》，1797年8月完成。她父亲看后很感动，特意拿给汤玛·卡士德尔，请他出版，但对方一口回绝，使得他们十分失望。后来，她重写了《最初的印象》 并改名为“傲慢与偏见”于1813年1月出版。你干吗不去百度一下该作者和这部书呢，这个是名著呢，很容易找到的
Austen，Jane．Jane Austen’s letters．ed．Deirdre Le Faye．Oxford and NewYork：Ox~rd UniversityPress．1995． [7]Austen，Jane．Pride andPrejudice．1813．Bantam Classic Edition． 1981 [8]Copeland，E．＆ Mcmaster，J．The CambridgeCompanion to Jane Austen．Cambridge：CambridgeUniversity Press．[9]William J Fitzpatrick，Jane Austin’s PRIDE ANDPREJUDICE，Simon & Schuster，[10]Nark S Pride and Prejudice，Riverside Edition—B1，Boston， [11]R W Chapman，Jane Austen:A CriticalBibliography，22nd Edition，London，Annotated， [12]David Daiches，Introductionto Pride and P Modern Library，New York，1950
作者在情节的字里行间也在诉说自己对爱情的看法。她通过贝内特小姐的口说：“没有爱情千万不要结婚。”她批判那种惟利是图的金钱婚姻。就像我一直说的，真正的爱情不应过多的考虑那些外在的因素，两个人真正好那才是最重要的。所以可以说，奥斯汀在《傲慢与偏见》里最仔细审慎地剖析描述了绅士淑女恋爱求婚的全过程，并全面透彻地说明了她所谓的理想婚姻的各种基础。 另外，她也在拿起反讽和喜剧这两种有力的艺术武器来批判那些不合理的传统道德观念和乡绅贵族阶层的保守人物，揭露他们的虚伪，嘲弄他们的愚蠢。正如借伊丽莎白所说：“世事经历得越多，我就越发对这个世界不满。世人都是反复无常的，那种表面的优点或见识是很不可靠的。日复一日，我的这种信念更加坚定。”想想我们现在的人不也是如此？我承认包括我自己在内。但是我很有意愿并且支持所有人去打破一些传统，毕竟世界在变，我们的思维也应该更开放，更新潮。 《pride and prejudice》。那我最后就祝愿无论是在爱情还是生活中，人们都能少一些傲慢与偏见，多一些谦诚和理解吧！这样爱情才能更稳固，生活才能更美好！
First published in 1813， Pride and Prejudice has consistently been Jane Austen's most popular It portrays life in the genteel rural society of the day， and tells of the initial misunderstandings and later mutual enlightenment between Elizabeth Bennet (whose liveliness and quick wit have often attracted readers) and the haughty D The title Pride and Prejudice refers (among other things) to the ways in which Elizabeth and Darcy first view each The original version of the novel was written in 1796-1797 under the title First Impressions， and was probably in the form of an exchange of Jane Austen's own tongue-in-cheek opinion of her work， in a letter to her sister Cassandra immediately after its publication， was: "Upon the I am well satisfied The work is rather too light， and bright， and sparkling; it wants [ needs] shade; it wants to be stretched out here and there with a long chapter of sense， if it could be had; if not， of solemn specious nonsense， about something unconnected with the story: an essay on writing， a critique on Walter Scott， or the history of Buonaparté， or anything that would form a contrast and bring the reader with increased delight to the playfulness and general epigrammatism of the general style"Jump to the Pride and Prejudice table of Document structure:This Pride and Prejudice e-text is fairly thoroughly hypertexted， but there are no cross references from one part of the main body of the text to another Instead， links go into or out of the main text， either to or from one of five indexes: The list of characters， the list of events in chronological order， the comments on random topics， the index to the motifs of "pride" and "prejudice"， or the list of important places (with a map)It has been pointed out that since Chapter 1 is marked up pretty much the same way as any other chapter， those who have never read Pride and Prejudice before may find a confusing plethora of links in the first few chapters -- don't feel you have to click on How to use this DocumentIf you have a graphics browser， then you will see little mini-icons preceding links in some menus in the Pride and Prejudice hypertext (and elsewhere in the Jane Austen pages):A down-arrow indicates a link to the next subdocument in a series (or to a later point， often the end， in the current subdocument) An up-arrow indicates a link to the preceding subdocument in a series (or to an earlier point， often the beginning， in the current subdocument) A curvy back-arrow indicates a jump back to a superordinate document (often a higher-level table of contents) A rightwards-pointing arrow indicates all other links ( links to a subdocument subordinate to the current one， or random "sideways" links) One practical point is that when web browsers follow a link， they tend to put the text referenced by the link at the extreme top of the screen or window， which can be a little awkward for a document which includes many links which go to the middle of a paragraph， as this one When you have followed a link， and the promised topic of the link doesn't seem to immediately leap into prominence， look near or at the top of the window， and then scroll back a few lines if necessary to get the immediate context of the On the other hand， when there is a reference to a location near the end of an HTML file， some browsers (including the most frequently used graphic browsers!) will put the end of the file at the bottom of the window， with no indication of where in the window the target location (Complain to the software companies about these annoying browser )
