Abstract ancient Chinese porcelain is the fifth largest invention is a great contribution to world In the history of the development of human China is the world's most inspired and invented out of the original Green WARE and white porcelain WARE country， also created a colorful glaze and Glazed Ceramic countries， and blue-and-white can be seen as the representative works of Chinese It represents the aesthetic character of oriental culture， the history of art in the world also have very high Underglaze Decoration decoration is a blue-and-white porcelain pottery， which is based on cobalt coloring agent for the mineral raw materials， high temperature According to archaeological evidence shows that there is a small blue-and-white porcelain in China as early as the Tang and Sung dynasties in China was noted for the But only until the Yuan Dynasty blue and white porcelain in Jingdezhen Blue and white varieties of derivatives is 800 years since the Yuan Dynasty in China， the Chinese export porcelain production and the mainstream Porcelain is best embodies the artistic achievements of the ancient Chinese This paper represents most of the blue-and-white porcelain in Jingdezhen Ceramic cultural essence to sort out the flow of the development， contained in the Oriental culture to explore its aesthetic The full text of proof is divided into three Introduction to the very Subject from the background to the study， raised the subject， the objective significance of the research topics and Chapter 1 : The Origin and Development of a million blue-and-white Million which is divided into two parts : the success of China was noted for the production of white and significant; Yuan Dynasty blue and white decorative Chapter 2 : Development of the Ming and Qing blue and white paper that - blue-and-white porcelain in Jingdezhen Kiln and the Ming and Qing Dynasties of China was noted for the production achievements and blue-and-white porcelain kilns in China was noted for the production of the important inheritance and CHAPTER 3 : porcelain from the Ming and Qing styles to explore， through the porcelain kilns， Guanyaoqing spent interpretation of the analysis of the arts， demonstration represented by the blue-and-white porcelain in Jingdezhen aesthetic character of oriental Finally， the Aggregate and confirmed that the blue-and-white porcelain in Jingdezhen is a symbol of oriental culture and irreplaceable Chinese culture as well as its aesthetic as the carrier of the oriental culture to the world to show a deep and mysteriously The blue-and-white porcelain subject for the exploration of a certain
