Intelligent concrete research and development Abstract: Intelligent concrete modern materials and modern science and technology a product of the combination of traditional concrete material advanced stages of Recalling the history of the development of smart concrete and study the status quo， smart concrete prospect of the development trend and potential applications of the research on the issue should be Key words: intelligent concrete research and development
（建筑专业英语文章内容）Architecture， the art of building in which human requirements and construction materials are related so as to furnish practical use as well as an aesthetic solution， thus differing from the pure utility of engineering As an art， architecture is essentially abstract and nonrepresentational and involves the manipulation of the relationships of spaces， volumes， planes， masses， and Time is also an important factor in architecture， since a building is usually comprehended in a succession of experiences rather than all at In most architecture there is no one vantage point from which the whole structure can be The use of light and shadow， as well as surface decoration， can greatly enhance a The analysis of building types provides an insight into past cultures and Behind each of the greater styles lies not a casual trend nor a vogue， but a period of serious and urgent experimentation directed toward answering the needs of a specific way of Climate， methods of labor， available materials， and economy of means all impose their Each of the greater styles has been aided by the discovery of new construction Once developed， a method survives tenaciously， giving way only when social changes or new building techniques have reduced That evolutionary process is exemplified by the history of modern architecture， which developed from the first uses of structural iron and steel in the mid-19th Until the 20th there were three great developments in architectural construction—the post-and-lintel， or trabeated， system; the arch system， either the cohesive type， employing plastic materials hardening into a homogeneous mass， or the thrust type， in which the loads are received and counterbalanced at definite points; and the modern steel-skeleton In the 20th new forms of building have been devised， with the use of reinforced concrete and the development of geodesic and stressed-skin (light material， reinforced) See also articles under countries， ， American architecture; styles， ， baroque; periods， ， Gothic architecture and art; individual architects， ， Andrea Palladio; individual stylistic and structural elements， ， tracery， orientation; specific building types， ， pagoda， apartment Architecture of the Ancient World In Egyptian architecture， to which belong some of the earliest extant structures to be called architecture (erected by the Egyptians before 3000 BC)， the post-and-lintel system was employed exclusively and produced the earliest stone columnar buildings in The architecture of W Asia from the same era employed the same system; however， arched construction was also known and The Chaldaeans and Assyrians， dependent upon clay as their chief material， built vaulted roofs of damp mud bricks that adhered to form a solid After generations of experimentation with buildings of limited variety the Greeks gave to the simple post-and-lintel system the purest， most perfect expression it was to attain (see Parthenon; orders of architecture) Roman architecture， borrowing and combining the columns of Greece and the arches of Asia， produced a wide variety of monumental buildings throughout the Western Their momentous invention of concrete enabled the imperial builders to exploit successfully the vault construction of W Asia and to cover vast unbroken floor spaces with great vaults and domes， as in the rebuilt Pantheon (2d AD; see under pantheon) The Evolution of Styles in the Christian Era The Romans and the early Christians also used the wooden truss for roofing the wide spans of their basilica Neither Greek， Chinese， nor Japanese architecture used the vault system of However， in the Asian division of the Roman Empire， vault development continued; Byzantine architects experimented with new principles and developed the pendentive， used brilliantly in the 6th for the Church of Hagia Sophia in C The Romanesque architecture of the early Middle Ages was notable for strong， simple， massive forms and vaults executed in cut In Lombard Romanesque (11th ) the Byzantine concentration of vault thrusts was improved by the device of ribs and of piers to support The idea of an organic supporting and buttressing skeleton of masonry (see buttress)， here appearing in embryo， became the vitalizing aim of the medieval In 13th-century Gothic architecture it emerged in perfected form， as in the Amiens and Chartres The birth of Renaissance architecture (15th ) inaugurated a period of several hundred years in Western architecture during which the multiple and complex buildings of the modern world began to emerge， while at the same time no new and compelling structural conceptions The forms and ornaments of Roman antiquity were resuscitated again and again and were ordered into numberless new combinations， and structure served chiefly as a convenient tool for attaining these The complex， highly decorated baroque style was the chief manifestation of the 17th-century architectural The Georgian style was among architecture's notable 18th-century expressions (see Georgian architecture) The first half of the 19th was given over to the classic revival and the Gothic New World， New Architectures The architects of the later 19th found themselves in a world being reshaped by science， industry， and A new eclecticism arose， such as the architecture based on the École des Beaux-Arts， and what is commonly called Victorian architecture in Britain and the United S The needs of a new society pressed them， while steel， reinforced concrete， and electricity were among the many new technical means at their After more than a half-century of assimilation and experimentation， modern architecture， often called the International style， produced an astonishing variety of daring and original buildings， often steel substructures sheathed in The Bauhaus was a strong influence on modern As the line between architecture and engineering became a shadow， 20th-century architecture often approached engineering， and modern works of engineering—airplane hangars， for example—often aimed at and achieved an undeniable More recently， postmodern architecture (see postmodernism)， which exploits and expands the technical innovations of modernism while often incorporating stylistic elements from other architectural styles or periods， has become an international Forms（翻译文章）建筑，艺术的建设中，人类的需求和建筑材料有关，以提供实际使用以及审美的解决方案，从而不同于纯粹实用的工程建设。作为一门艺术，建筑基本上是抽象的，抽象的，涉及操纵的关系空间，数量，飞机，群众，空隙。时间也是一个重要因素在建筑，因为建设是通常理解中的经验继承，而不是一次。在多数建筑没有一个高度，从整个结构是可以理解的。利用光影，以及表面装饰，可以大大提高结构。 在分析建设类型提供了一个深入了解过去的文化和时代。背后的更大的风格是不是一种偶然，也不是一个流行趋势，但一个时期的严重和紧迫的实验针对回答需要具体的生活方式。气候，方法的劳动力，提供的材料，和经济的手段强加其要求所有。每一个更大的风格一直帮助下发现新的施工方法。一旦制订，顽强生存的方法，让位只有当社会的变化或新的建筑技术，减少它。这是进化过程中所体现的历史，现代建筑，它开发的第一个利用结构钢铁中期19美分。 直到20美分。有三个巨大的发展，建筑施工，后和门楣，或trabeated ，系统;拱系统，无论是一致的类型，采用塑料材料硬化成一个单一的质量，或类型的主旨，其中负载收到并在一定的平衡点;与现代钢骨架系统。在20以上。新形式的建设已制订，使用钢筋混凝土的发展和大地测量，并强调皮肤（轻型材料，钢筋）结构。 又见条款的国家，如美国的建筑;风格，如巴洛克;期间，如哥特式建筑和艺术;个别建筑师，如安德烈帕拉迪奥;个人风格和结构性因素，例如，窗格，方向;具体建设类型，例如，大观园，一栋公寓楼。 建筑的古代世界 在埃及的建筑，其中一些属于最早的现存结构，被称为架构（竖立的埃及人在公元前3000年） ，后与门楣系统被完全和生产最早的石柱状建筑物的历史。该架构的W亚洲来自同一时代雇用同一系统，但拱形建筑也被称为和使用。该Chaldaeans和亚述人，取决于粘土为主要材料，建造拱形屋顶潮湿的泥土砖坚持以形成一个坚实的外壳。 经过几代人的实验与有限的各种建筑物的希腊人给的简单桩门楣系统最纯净，最完美的表达这是实现（见神庙;订单架构） 。古罗马建筑，借款，结合栏希腊和拱门亚洲，产生了各种各样的纪念性建筑在整个西方世界。他们的重大发明的具体启用帝国建设者利用成功的墓穴建造的W亚洲和覆盖广阔的完整楼空间巨大拱顶和穹顶，在重建先贤祠（二维的。广告;见先贤祠） 。 风格的演变中的基督时代 罗马和早期基督教还使用了木桁架的跨度屋面广泛的教堂大厅。无论是希腊，中国，日本建筑，也使用了跳马制度建设。然而，在亚洲司的罗马帝国，跳马发展继续;拜占庭建筑师尝试新的原则和发展了pendentive ，用出色的第6次以上。教会的圣索菲亚君士坦丁堡。 古罗马建筑的早期中世纪值得注意的是强有力的，简单的，大规模的形式和墓穴执行削减石头。在伦巴德罗马（第11次左右。 ）拜占庭浓度跳马重点是提高设备的肋骨和码头，以支持他们。这个想法的一个有机的支持和支撑骨架的砖石（见支撑） ，在这里出现的胚胎，成为振兴目标的中世纪建筑。在13世纪的哥特式建筑出现了完善它的形式，如在亚眠和沙特尔大教堂。 文艺复兴时期诞生的架构（第15次左右。 ）成立的时期数百年的西方建筑在此期间，多重的和复杂的建筑物现代世界开始出现，同时没有任何新的和令人信服的结构概念出现。饰品的形式和古代罗马人一次又一次复苏和被命令到无数新的组合，结构送达主要作为一种方便的工具实现这些效果。复杂的，高度是巴洛克风格装饰的主要体现17世纪的建筑美学。格鲁吉亚是建筑风格的显着18世纪的表现形式（见格鲁吉亚架构） 。上半年的19美分。给出了经典的哥特复兴和振兴。 新世界，新的体系结构 建筑师后19美分。发现自己的世界正在改变的科学，工业，和速度。一种新的折衷主义出现，如建筑的基础上高等美术学院，以及所谓的维多利亚式建筑在英国和美国。需要一个新的社会压力，同时钢铁，钢筋混凝土，电力中有许多新的技术手段，它们所掌握的。 经过超过半个世纪的同化和实验，现代建筑，通常被称为国际风格，产生了惊人的各种大胆和原始建筑，往往钢子护套在玻璃。包豪斯是一个强有力的影响，现代建筑。随着之间的界线建筑和工程成为一个影子， 20世纪建筑往往接近工程和现代工程的工程飞机机库，例如，通常都瞄准了，取得了一个不可否认的美感。最近，后现代建筑（见后现代主义） ，其中的漏洞，并扩大了技术创新的现代风格，而往往把内容从其他建筑风格或时期，已成为一项国际形式。能够帮到你吗！
Nowadays，there is a phenomenon that a plenty of history architecture relics are Some people think it is necessary to distory these history architectures because our society is developing and these buildings would stop the developement of But just as an old saying goes"every coin has two sides"We can't ignore the negative aspects of distorying the history These buildings had its history in the past and would give us a chance to know the past of our What's more，they are symbols of the civilization of our Distorying them will be just a loss of In my opinion，we can distory some useless and dangerous buildings and reserve the valuable We can't let these buildings stop our development as well as don't lose our valuable
Building a culture rooted in the natural environment of Habitat Different geographical They certainly have different natural environment: topography， sunshine point of view， sun and tides， currents and winds， temperature， pressure， food， land， water， vegetation and so As an intermediary between man and nature of the construction， the external should be conducive to the formation of district external environment should be conducive to the protection of the domestic indoor environment H These buildings， like plants， the roots， making a day， or geographical areas of the natural environment suitable for the requirements of integration with In Southeast Asia and South Asia， in China's Hainan Island and Taiwan Island， Coconut Grove dense， hot weather， people with palm leaves， palm-leaf built to adapt to the tropical rainforest of thatched rooms， small， ventilation， cool， lightweight， simple ， built a tropical rain forest In Central Asia， West Asia， in China's western alpine region， people with stones， the mountain has been built on the powerful stone building， take shelter from the wind， blocking snow， heat， warm， building construction has become Such as China， Tibet， Qinghai， Sichuan and other ethnic minorities in China's western mountains and on the potential to build a wide variety of mountain Loess Plateau in China， the Gobi Mobei， low rainfall， dry climate， people use the hillside slopes built tunneling room， built with distinct characteristics of immature soil Gansu Dunhuang Art Exhibition Hall of the building buried in the hillside， the semi-open entrance connected hillside retaining wall， construction features of immature soil is very In the eastern part of the United States， in Australia， in China's south， rainfall， mild climate， people use wood， brick and mountains on the potential， in line with local conditions， build a shade shelter from the rain， ventilation， styling and unique architectural humid These architectural forms， of various styles， suitable for different regions of the natural environment， with the landscape， vegetation， terrain together， forming a natural environment is rooted in a variety of architectural Building both rooted in the natural environment， but also subject to the natural environment， this is the architects must follow a basic Second， the social space-time caused by environmental differences in the diversification of architectural culture Different regions， different countries， different nations have different social and historical European countries， the Americas， Asia and Africa and other developing countries， land of different religious beliefs， economic development of the different regions have different cultural Habitat in different parts of the social differences in time and space environment， resulting in the architectural culture and the diversity of time and space， resulting in ancient or modern Chinese architectural culture， the Russian architectural culture， architectural culture in Southeast Asia， Europe and the United States Architectural Culture， the African Architectural Culture and so Ancient Greek architecture in Europe， North Africa， the ancient Egyptian architecture， the South Asian Association for the ancient Indian architecture， ancient Chinese architecture is the world's architectural and cultural history of ethnic Catholic， Jesus taught， Hinduism， Islam， Buddhism， such as the formation and development of religion， a profound impact on the religious beliefs of countries and regions， but also a profound impact on those areas of construction， forming a rich and colorful culture of religious China several thousand years long history， has followed so far， both ancient and extensive， since ancient times by Confucianism， Taoism， Buddhism， Zen， such as the impact of ethical Especially Confucianism ruled China for 2 000 years， deep- To this culture of Confucianism， Taoism， Buddhism and Zen eclectic variety of ideas， together brilliant， independent nations of the Architectural Culture under certain conditions， can be Geographical， ethnic and cultural construction under certain conditions， can be transformed into international architectural culture， and international architectural culture can also be absorbed， the integration of the region and the national character of the new architectural In today's world， building a culture of development and progress， both the transformation of the former to the latter， which also includes the absorption and integration of the The two also both opposing reunification， complement each other， affect each other and common development， only the protection and development of a variety of architectural culture of all ethnic groups， the promotion of world architectural culture of pluralism， and ultimately to create a "different and" the human society Three Chinese and foreign construction and cultural development and blend Architectural Culture in the global "big culture" systems， all nationalities， all geographical construction symbiotic culture in this form the world's architectural culture S Social process of globalization has brought to the cultural collision with the rendezvous， conflict and For thousands of years， the Chinese culture to external sources of Buddhist culture have originated in India， Zhang Qian as envoy to the Western Regions of the Western Han Dynasty， Tang Dynasty Master Xuan Zang went to India to learn from their experience Chuan-by， the impact of China's 2，000 years of B However， the contents of Buddhism， Buddha， like Maung， the shapes with the Chinese Buddhist temple in cultures， the formation and development of a unique Chinese Buddhist architectural As early as the 20th century， 20 years， China's modern architects returned from studying abroad， most of whom are scholars in the United States， they are building at the time of Western academic and cultural concepts and China Architectural Culture nationalistic concept of the double impact， emphasizing cultural exchange between Chinese and Western architecture focused on the architectural style for the first time a creative way to design a number of products， creating a cultural exchange between Chinese and foreign construction of a new For example， the first batch of US architect M Lv Yanzhi Canton 20's design Zhongshan Memorial Hall， D Sun Yat-sen in Nanjing and so on， in the Chinese construction industry has played a really ground-breaking effect in stimulating the Chinese and foreign architectural culture of the integration The early founding of New China， the Chinese government， mechanisms copied the Soviet model， the Chinese all over the building of a group of Russian cultural identity building construction， the formation and development of China's 50's "socialism" of architectural Since reform and opening up， China's open-door once again， the introduction of Western economic management model to imitate， "European style"， RTHK construction， post-modernism almost swept the country， the formation and development of China's 80's "reform and opening-up" construction It goes without saying that all countries in the world of architectural culture at that time are subject to local political systems， economic conditions， technical level of restraint， in conflict with each other， mutual exchanges， mutual influence， mutual However， what kind of fusion and exchange with vitality， stand the test of time and space? Only those who learned the essence of eastern and western cultures， integration-oriented areas of national culture and national character of the construction only has great Fourth， cultural exchange between old and modern architectural exploration and the pursuit of Ancient and modern cultures， the past serve the present， what? Need to analyze the "ancient" and "today" in the construction of content changes that have taken These qualitative change is the social system， production technology， living habits， work， cultural values， building materials in the construction sector caused by the inevitable As M Wu Yurong in the evaluation of the French engineer G Eiffel designed the Eiffel Tower noted: "People are trying to adapt to every human life an art form the new direction of development and to make all the human activities and the rapidly changing era of emotion caused by the new " To explore ancient and modern blend of traditional architecture and modern architecture combining China's traditional architectural culture has many features， such as the overall layout of buildings， in line with local conditions， and be full of change; architectural style， rich and colorful; space separated， flexible and diverse; interior decoration， pay attention to the connotation; color to use， colorful; garden green， it is implicitly lively， changeable， unique in the In the creation of modern architecture， the contemporary architects should learn from ancient architecture and cultural wealth of nutrition， according to the modernization of a wide range of requirements， from the analysis of the various contradictions in the exploration and pursuit of people's lives to adapt to the new direction of development and people's construction activities and the rapid caused by the changing times adapt to new Since the founding of New China， focusing on the succession of Chinese tradition， carry forward the， creative architectural art of the problems the United States experienced a number of exploration and Experienced the liberation of the early to imitate the "big roof" retro nostalgia period; experienced a critical retro， and copy the Soviet "model" dogmatism stage; experienced the Cultural Revolution， servility to foreigners critical philosophy， the implementation of "dry-base hit，" the poor during the transition; experienced early advocate of reform and opening up the West， the popular "Hong Kong style" After exploring the difficulties and setbacks， China began to follow the traditional architect， to adapt to function， the use of high-tech， to explore ancient and modern cultures， the realization of the modernization of architectural creation of the correct In this paper， talking about building a culture of environment and blend only preliminary study， many deep theoretical issues need further Our generation of architects should be firmly established the "scientific concept of architectural culture" to the Chinese culture as the main body， to accelerate the construction of culture and environment， and the nation， and society， and the blending process with the ================================================= 一 建筑文化根植于人居自然环境之中 不同的地域自然有不同的自然环境：地形地貌、日照角度、日月潮汐、水流风势、气温、气压、食物、土地、水质、植被等等。作为人与自然中介的建筑，对外应有利于形成小区外部环境，对内应有利于保障人居的室内环境。这些建筑像植物一样，落地生根，合天时，合地利，适宜于地区自然环境的要求，与大自然融为一体。 在东南亚和南亚各国，在中国的海南岛和台湾岛，椰林茂密，气候炎热，人们用椰树叶、棕榈叶盖起了适应热带雨林的茅草房、小木楼，通风、凉爽、轻盈、简洁，建起了热带雨林建筑。 在中亚、西亚，在中国的西部高寒地区，人们用石块垒砌、依山就势盖起了石板建筑，避风、挡雪、保温、御寒，筑成了高原山地建筑。如中国的西藏、青海、四川等少数民族在中国西部依山就势建起了各式各样的山地建筑群。 在中国的黄土高原，漠北戈壁，雨量稀少，气候干燥，人们利用山边、土坡挖洞筑房，建起了具有鲜明特色的生土建筑。甘肃敦煌艺术陈列馆把建筑埋入山坡下，半开敞式入口，山坡挡墙甬道，生土式建筑特征十分明显。 在美国的东部，在澳大利亚，在中国的南方，雨量充沛，气候温和，人们用木材、砖瓦依山就势，因地制宜，盖起了遮阳避雨、通风透气、造型别致的湿热地区建筑。 这些建筑形式多样，风格各异，适宜于不同地区自然环境，与风景、林木、地形融为一体，形成了根植于自然环境的各种建筑文化。建筑既要根植于自然环境，又要服从于自然环境，这是建筑师必须遵循的一条基本原则。 二 社会时空环境差异造成建筑文化的多元化 不同的地域、不同的国家、不同的民族，有不同的社会历史形态。欧洲国家、美洲国家、亚洲与非洲等发展中国家，国度不同，宗教信仰不同，经济发展状况不同，各地区的文化习俗也不同。不同地区的人居社会时空环境的差异，造成了建筑文化的时空性和多元性，因而产生了古代的或现代的中国建筑文化、俄罗斯建筑文化、东南亚建筑文化、欧美建筑文化、非洲建筑文化等等。欧洲的古希腊建筑、北非的古埃及建筑、南亚的古印度建筑、古代中国建筑是世界民族建筑文化的历史源流。天主教、耶稣教、印度教、伊斯兰教、佛教等宗教的形成和发展，深刻地影响到信仰宗教的国家和地区，也深刻地影响到这些地区建筑，形成了丰富多彩的宗教建筑文化。 中国几千年悠久的历史文化，沿袭至今，既古老又博大，自古以来受到儒家、道家、佛教、禅宗等思想伦理的影响。特别是儒教统治中国2 000多年，根深蒂固。这种文化把儒、道、佛、禅各种思想观念兼收并蓄，融为一体，光辉灿烂，独立于世界民族之林。 建筑文化在一定条件下是可以转化的。地域、民族性的建筑文化在一定条件下可以转化为国际性建筑文化，国际性建筑文化也可吸收、融合新的地区与民族性建筑文化。在当今世界里，建筑文化的发展和进步，既包含前者向后者的转化，也包含后者对前者的吸收与融合。这两者既对立又统一，相互补充，彼此影响，共同发展，只有保护和发展丰富多彩的各民族建筑文化，促进世界建筑文化的多元化构成，最终才能建立一个 “和而不同”的人类社会。 三 中外建筑文化的发展与交融 建筑文化处于全球“大文化”系统之中，各民族、各地域的建筑文化在此共生共荣，组成了世界建筑文化的交响曲。全球化的社会进程给文化交流带来了碰撞与会合，冲突与交融。 几千年来，中国受外来文化的影响渊源流长。佛教文化本来发源于印度，随着西汉张骞出使西域，唐代玄奘法师赴印度取经传经，佛教影响中国2000多年。但是，佛教的内容，佛祖的像貌，佛庙的形制与中国文化交融，形成和发展了独特的中国佛教建筑文化。 早在20世纪20年代，中国近代出国留学归国的建筑师，大多数是留美的学者，他们受当时西方学院派建筑文化观念和中国国粹主义建筑文化观念的双重影响，强调中西建筑文化交融的重点在建筑风格上，第一次创造性地设计出了一批精品，开创了中外建筑文化交融的新纪元。例如由第一批留美建筑大师吕彦植先生20年代设计的广州中山纪念堂、南京中山陵等等，在当时中国建筑界的确起到了石破天惊的影响，推动了中外建筑文化的融合进程。 新中国建国初期，中国政体、机制照搬苏联模式，中国各地建设了一批具有俄罗斯建筑文化特征的建筑，形成和发展了中国50年代“社会主义”建筑文化。改革开放以来，我国又一次打开国门，引入西方经济管理模式，模仿“欧陆风格”、港台建筑，后现代主义几乎风靡全国，形成和发展了中国80年代“改革开放”建筑文化。不言而喻，世界各国的建筑文化均要受到当时当地政治体制、经济状况、技术水平的约束，相互冲突，相互交流，相互影响，相互融合。然而，什么样的交融和交流具有生命力，经受得起时空的考验？只有那些吸取了东西方文化精髓，融合为本民族的地区与民族性建筑文化，才具有强大的生命力。 四 古今建筑文化交融的探索和追求 古今交融，古为今用，用什么？必须分析“古”与“今”在建筑内容上所发生的变化。这些质的变化是社会制度、生产技术、生活习惯、工作方式、文化观念、建筑材料在建筑领域引发的必然结果。正如吴裕容先生在评价法国工程师古斯塔夫。艾菲尔设计的艾菲尔铁塔时指出的：“人们试图让每一种艺术适应人类生活发展的新方向，并且使所有的人类活动与迅速变化中的时代所造成的新情感相适应。” 古今交融探索的是传统建筑与现代建筑相结合的问题。我国传统建筑文化有着许多特点，如建筑群的总体布局，因地制宜，富于变化；建筑造型，丰富多彩；空间分隔，灵活多样；室内装饰，讲究内涵；色彩运用，五彩缤纷；庭园绿化，更是含蓄活泼，变化万千，在世界上独树一帜。在创作现代建筑当中，当代建筑师应吸取古代建筑文化丰富的营养，按现代化多方面的要求，从分析各种矛盾中探索和追求适应人们生活发展的新方向，并且使人们的建筑活动与迅速变化中的时代造成的新情感相适应。 新中国成立以来，围绕继承中国传统，发扬民族形式，创作建筑艺术美的问题经历过多少次探索和讨论。经历了解放初期模仿“大屋顶”的怀旧复古时期；经历了批判复古主义，照搬苏联“模式”的教条主义阶段；经历了文革批判洋奴哲学，推行“干打垒”穷过渡的年代；经历了改革开放初期崇尚西方，风靡“欧陆风情”时期。经过反复摸索的艰难曲折以后，中国建筑师开始走继承传统，适应功能，采用高新技术，探索古今交融，实现建筑创作现代化的正确之路。 本文所谈建筑文化的环境与交融只是初步探讨，许多深层理论问题还须进一步研究。我们这一代建筑师应当牢固地树立起“科学的建筑文化观”，以中国文化为主体，加速建筑文化与环境、与民族、与社会、与时代的交融进程。
