推荐此网页 包含书法基础理论知识Five Styles + Eight Basic Strokes + Technique_h/html以下可作参考维基百科：_calligraphyseal script 篆书：_scriptZhuan Shu shows its serenity through its well-balanced It is characterized by strokes that are either smoothly curved or remarkably Horizontal strokes are always notably horizontal and Vertical strokes are also made as vertical and straight as All the strokes are of even thickness and have round ends， with no pointed heads and All the lines and curves are evenly and carefully You will not see the least bit of wildness in Zhuan Slerical script 隶书：_scriptDeveloped from ZhuanShu， Li Shu retains quite someof the serenity of ZhuanShu and introduces its own flexibility， though haracters are squared in While the strokes have no tilting at all like Zhuan Zhu， they change smoothly in thicknessfrom the start of a stroke to its Horizontal and vertical strokes are nolonger as straight as in ZhuanS They are somewhat wave- One keystroke is featured by a slightly enlarged round head and a pointed Angular turns in strokes can be frequently observed while smooth curves areseldom Li Shu is a fine blend ofserenity and ular script 楷书： Shu is a directevolution from Li Shu and is well-knownfor its regularity and While Li Shu exhibits immense uniformity， Kai Shu brings about variations to its strokes andoverall structure without losing its Horizontal and verticalstrokes are made slightly tilt and The eight basic strokes， namelyDian(dot)， Heng(dash)， Shu(vertical downstroke)， Pie(downstroke curving to the left with pointed tail)， Na(slanted downstroke curving to the rightwith pointed tail)， Ti(slanted upstroke to the right with pointed tail)， Zhe(bend) and Gou(hook)， become much By further tuning these eight basic strokes and the overallconfiguration of strokes， many different sub-styles of Kai Shu have semi-cursive script 行书：-cursive_scriptXing Shu acquires a more flexible and smoother flow ofstrokes at the expense of regularity of Kai Shu， from which it While strokes in Kai Shu are strictly discrete， some adjacentstrokes in Xing Shu are actually joinedor combined in a natural manner to benefit swiftness in The flow ofstrokes thus becomes more vivid and Since substantial flexibility isallowed in Xing Shu， the possibilitiesof writing a character in Xing Shu can be numerous， giving rise to the large number ofdifferent sub-styles in Xing S Despite that， integrity is never Xing Shu is currently the most popular writingscript among others for its speed of writing and ursive script 草书：_scriptCao Shu is a verydistinguishable style of writing in Chinese C It is like a dance oflines and curves on paper with unparalleled grace and It becomes hardto identify a discrete stroke or sometimes even a discrete character in Cao S One stroke always follows immediatelyfrom another without a clear To many people including Chinese， Cao Shu is hardly Indeed， Cao Shu is developed from the shorthand writing ofC Thus， characters in Cao Shu are highly Strokes in a character arecombined， repositioned or even left Little resemblance is left between theregular version and the Cao Anyway， it is art!Quoated by _Shtm--- END ---
